S.L. Vaden Interview Published on: 04, Jun 2020

One of my favorite childhood memories was exploring the woods at the back of my parent's farm with my brother. Being in nature and seeing all the different trees and landscapes brought my imagination to life. I loved being in nature, surrounded by towering trees, magnolias, willow oaks, walnuts, and pines. Each having their own mark, their own identity.

I also have fond memories of being in the garden. Planting seeds, and then harvesting the crop in the summer. Sitting with my family snapping greens or shucking corn will be something that always stays with me.

The love of nature had been implanted in me at a young age. This only grew as I got older.

It was either 'she said yes' about columbine shootings or Anne Frank. A tragedy that is taken from real life makes me cry more than any others. Especially ones that could have been avoided, or changed, if someone had spoken out or stood up.

I have recently started reading, All But My Life by Gerda Weissmann Klein. The first several chapters already had me in tears. Thinking of how families were pulled away, sent to camps, and even to their deaths. This also makes me think of how families today are still being torn apart and sent to camps. I feel we have learned nothing from our pasts, and history is only repeating itself. This, too, shakes me.

I liked writing as a child but kept the want of being a writer to myself. I didn't share this dream in fear it would be shot down. Making me not want to pick it back up. It didn't come to fruition until I moved from my home state when I was twenty-eight. After writing my first book, The Legend of Zelkova: Elementum, was when I told everyone that I was now an author. Even if some disapproved, it was too late. I knew then; I would always want to write.

They’re all supportive. Some of them aren’t big fantasy fans but read it all the same.
I guess you could say fantasy, in general, isn't their genre.

With this book, I think it was nature. The want to protect it, to show that we need the earth we live on, that it is something to be respected and not taken advantage of. It will live on without us, but we won't live without it. Also, there aren't a lot of main characters in mainstream books that are LGBT. I wanted to include characters for them and to show that not all heroes have to be one traditional character type. With the stories I write, they tend to be on the darker, deeper side of things, exploring the emotions that we all feel and face in everyday life. There are several layers to my books if the reader takes a closer look.

The writing process took about ten months. The editing part seemed to take almost as long but was only about four months. So, all in all, over a year. This was the shortest time span in which I had written and edited a book, and it's also my second longest so far.

For me, creating a sequel that's two hundred years in the future of the first one was easier than if it had taken place right where the first one ended. As I wrote the first one, I had already started to plan out the second and third one, taking notes on how to connect them. While I was writing, I also thought of how to connect them with my next series.

This again comes from my love of nature. Zelkova is the scientific name for Japanese elm tree. Carya is the scientific name for hickory. I've always loved nature and trees, which made me look up different names of trees, moss, flowers, and even mold. Nature is everywhere, and I love to find different names for things that many people don't even know exist.

It was easier to put together than my other books. One reason for this is because 95% of the poems I had already written and just needed to put them together. I had started writing poetry at a young age, around twelve or so. Poems, for me, are a way to let out one's deepest thoughts and feelings. It's like reaching deep into one's self and taking a piece of you and putting it onto a page. In a way, it's quite freeing.

I lean towards being diverse and original. To push away from cookie-cutter and white-washed characters. To have worlds where they don't have to follow the rules that are set for us in society. Such as how a male and female should or shouldn't act or dress. Breaking the barriers that people set on each other, and on ourselves is what I want to break. Not just breaking the glass ceiling, but the walls that surround us all, keeping us inline to what society views us as. One of my poems even mentions something like this.

It is finding words that flow with what you are feeling. Trying to get a poem that flows like a smooth stream is harder than a poem that is like choppy waves. But then again, strong waves can break through walls.

I do. I tend to wonder why, when I get reviews without comments. It’s nice to know why the reader liked it or disliked it. But I try and keep in mind that everyone has their own opinions. And not everyone is going to like everything that no one can please everyone. And that no one is perfect.

I would have taken more writing classes, read more, and believed in myself more. But then again, if I were to go back and change things, I wouldn't have written the books I have. My life would be completely different. It's interesting how small choices can make big changes in one's life.

I am currently working on a few short stories that are different from my full-length novels, as well as my next romance and Zelkova book. I tend to write a couple of things at once. When I hit a lull in one, I switch to the other. It helps to keep the writing going, instead of focusing on just one, it's usually two or three.

It's been about seven months. I like how it helps authors come together, helps organize their works, and provides advertising material.