When writing a manuscript, I do my best to write every day. That does not happen, but at least it is the ambition. You just have to find what works for you.
Tristan Zelden
I have a firm belief that if you tell a story, you should focus on entertaining yourself. Embrace your taste in things, and an audience with a similar interest will follow along.
Tristan Zelden
My approach was to tell a grounded story that slowly evolved into something more fantastical. I want to believe in this world. If I believe in it, then the readers will, too.
Tristan Zelden
Horror is in my blood. I like to think that I don't have a heart, but I have a chainsaw revving up in my chest to keep me alive. I think I always carry it with me, even when I am working in another genre.
Tristan Zelden
As I develop a roster of characters, I play with their relationships to find a natural, believable chemistry between everyone. It is important for me to make it all as realistic as possible despite any fantastical or supernatural elements coming into play.
Tristan Zelden
I always think about the central theme(s) of what I am trying to convey. It might be a message, but it is usually trying to give some food for thought to readers to let them decide on their own about the themes. I want my work to be exercises in critical thinking and empathy.
Tristan Zelden
If I get more books out into the world, regardless of how different the themes become, they will be about society and how people are treated. Hopefully, it will spark some empathy from people or a new way to look at the world around them.
Tristan Zelden
Why can’t the women be big and buff? I wanted to give that body representation because there are women who have those bodies and look great. I hope I nailed that because any woman reading the book who has muscles that are too big for society, I want them to see themselves and be proud of their lifestyle and body.
Tristan Zelden
Power, money, and violence are all corrosive things. Sure, power and money can be used for good, but this book shows the evil of it.
Tristan Zelden