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As the artist picks his way along, rejecting and accepting as he goes, certain patterns of enquiry emerge. Bridget Riley#Accepting 69
Bridget Riley#Accepting 69
In my earlier paintings, I wanted the space between the picture plane and the spectator to be active. Bridget Riley#Active 68
Bridget Riley#Active 68
I used to build up to sensation, accumulating tension until it released a perceptual experience. Bridget Riley#Build 61
Bridget Riley#Build 61
His failures are as valuable as his successes: by misjudging one thing he conforms something else, even if at the time he does not know what that something else is. Bridget Riley#Conforms 26
Bridget Riley#Conforms 26
I work with nature, although in completely new terms. Bridget Riley#Completely 23
Bridget Riley#Completely 23
There was a time when meanings were focused and reality could be fixed; when that sort of belief disappeared, things became uncertain and open to interpretation. Bridget Riley#Became 23
Bridget Riley#Became 23
As a painter today you have to work without that essential platform. But if one does not deceive oneself and accepts this lack of certainty, other things may come into play. Bridget Riley#Accepts 22
Bridget Riley#Accepts 22
Painting is, I think, inevitably an archaic activity and one that depends on spiritual values. Bridget Riley#Activity 13
Bridget Riley#Activity 13
For me nature is not landscape, but the dynamism of visual forces. Bridget Riley#Dynamism 11
Bridget Riley#Dynamism 11
I think this lack of a center has something to do with the loss of certainties that Christianity had to offer. Bridget Riley#Center 10
Bridget Riley#Center 10
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