About Author
Maryann Miller
Maryann Miller
  • Writing:

    Crime Fiction Thrillers Suspense Mysteries Contemporary Romance Teen & Young Adult History
  • Country: United States
  • Books: 14
  • Profession: author and editor
  • Born: 4 July, 1943
  • Member Since: Aug 2016
  • Profile Views: 14,212
  • Followers: 51
  • Visit author: Website, Facebook, Twitter, Instagram, Goodreads, Amazon, Pinterest, Linkedin,
BIOGRAPHY

Maryann Miller writes the critically acclaimed Seasons Mystery Series that debuted with OPEN SEASON and continued with STALKING SEASON. DOUBLETAKE, a stand-alone mystery, was chosen as the 2015 Best Mystery by the Texas Association of Authors.

Miller has received the Page Edwards Short Story Award, placed first in the screenwriting competition at the Houston Writer's Conference, was a semi-finalist at Sundance and in the Chesterfield Screenwriting Competition. For fifteen years she was the theatre director at the Winnsboro Center for the Arts, where she directed adult and youth productions and coordinated the annual KidZZ On Stage Drama Camp.

Miller also likes to be onstage and has appeared in numerous productions. Her most recent role was Big Mama in "Cat on a Hot Tin Roof."

When not working or playing on stage, Miller likes to spend time outdoors working in her garden. She also enjoys all kinds of puzzles, quilting, and knitting. And, of course, reading. She currently lives with four cats who graciously allow her to share the sofa with them in the evening.

Maryann Miller Books

Book
$2.99kindle Free with KUeBook,
Evelyn Evolving: A Novel Of Real Lifeby Maryann MillerPublish: May 19, 2019Women's Fiction Biographies & Memoirs
One Small Victory
eBook,
One Small Victoryby Maryann MillerPublish: Dec 31, 2019Crime Fiction Thrillers Suspense
A Dead Tomato Plant and a Paycheck
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A Dead Tomato Plant and a Paycheckby Maryann MillerPublish: Aug 15, 2018Humor Parenting
Open Season
$0.99kindleeBook,
Open Seasonby Maryann MillerSeries: Seasons Mystery SeriesCrime Fiction Thrillers Suspense Mysteries
Stalking Season (Seasons Mystery Series Book 2)
$3.99kindleeBook,
Stalking Season (Seasons Mystery Series Book 2)by Maryann MillerPublish: Feb 20, 2014Series: Seasons Mystery SeriesCrime Fiction Thrillers Suspense Mysteries
Doubletake
$3.99kindleeBook,
Doubletakeby Maryann MillerPublish: Mar 19, 2014Crime Fiction Thrillers Suspense
Boxes For Beds
$2.99kindleeBook, Audio,
Boxes For Bedsby Maryann MillerPublish: Mar 02, 2012Historical Mysteries Suspense Mysteries
Play It Again, Sam
$3.45kindleeBook,
Play It Again, Samby Maryann MillerPublish: Jul 18, 2008Contemporary Romance
The Visitor
$0.99kindleeBook,
The Visitorby Maryann MillerPublish: Apr 11, 2011Literary Fiction
The Wisdom of Ages
$1.99kindleeBook,
The Wisdom of Agesby Maryann MillerPublish: Nov 29, 2014Literary Fiction
Escaping Raul: A Short Story
$0.99kindle Free with KUeBook,
Escaping Raul: A Short Storyby Maryann MillerPublish: Oct 09, 2017Crime Fiction Thrillers Suspense Mysteries
SAHM I Am
$1.5kindleeBook,
SAHM I Amby Maryann MillerPublish: Jan 01, 2011Humor
The Gift: A Short Story
$0.99kindle Free with KUeBook,
The Gift: A Short Storyby Maryann MillerPublish: Nov 29, 2015Literary Fiction
The Last Dollar
$0.99kindleeBook,
The Last Dollarby Maryann MillerPublish: Jan 01, 2012Literary Fiction

Maryann Miller interview On 25, Sep 2018

"Maryann Miller writes the critically acclaimed Seasons Mystery Series that debuted with Open Season and continued with Stalking Season.
Her first success as a writer was receiving an award in the Scholastic Writing Contest when she was twelve-years-old. She likes a good woman’s novel, such as Kristy Harvey’s The Secret to Southern Charm, and she enjoys memoirs as well.
The author advises others to not take criticism personally.
Currently, she is working on the third book in the Seasons Series."
What was your childhood like? How has it influenced you as an author?

Interesting you should ask that question. I didn’t have a stellar upbringing, and I’ve been looking back at it quite a bit in these golden years. The biggest impact it has had on my writing has been the prompting to write about my mother’s life and then my own. The first book, Evelyn Evolving, has been written, and I am about to start on my memoir. Both of our lives were affected by poverty and abuse, and I have come to realize how her experiences in an orphanage colored her inability to be a loving parent.

As a child, I lost myself in books to avoid thinking about the problems at home, and that introduction to story and the power of story, is the main reason I wanted to be a writer from a very young age.

You have been publishing books for more than two decades now. Can you tell us about your journey as an author?

My first success as a writer was receiving an award in the Scholastic Writing Contest when I was twelve-years-old. Of course, I immediately thought I would become rich and famous within a year at least. A lot of things interfered with that dream for a long time, and while I’m still not rich and famous, I am proud of my writing accomplishments.

My first paid gig was a humor column for a Dallas suburban newspaper that I wrote for severa years. I was known as the Erma Bombeck of Plano, an honor that I still treasure. That led to other journalism work, and I had articles and short fiction printed in national and regional publications. As any writer can attest, nonfiction sells easier than fiction, and often for more money, so working as a journalist helped keep some food on the table. Still, I continued to write fiction, stories being my first love, and I was so happy when Five Star/Cengage gave me a contract for One Small Victory, which opened the door to the publication of Open Season and then Stalking Season. Both books received critical acclaim from Library Journal, Publisher’s Weekly, and Kirkus, which has been a big thrill for me.

What is something you have learned about writing and being an author over the years?

That it doesn’t get any easier. While creating new characters and new plot ideas is fun, the actual work of writing, editing, rewriting, editing some more until you get it right remains the same. It’s work. And you need to just sit your butt down in the chair and do it.

What according to you is the most important thing that a person must keep in mind when writing a crime or mystery series?

For each book there is a fine line between writing enough background to keep the reader up to speed on recurring characters and pages of info-dumping. I love to read series books, and the ones I enjoy most just drop hints of characterizations from past books into the next one. That is a technique I applied to Stalking Season, the second book in the Seasons Mystery Series, and I think I did that well enough that there have been no reader complaints. ��

Who are Sarah Kingsly and Angel Johnson and what is their dilemma? If you were a homicide detective, who in your life would be an ideal partner for you and why?

While developing these two characters, I first decided to flip the stereotypes. Sarah is the one who comes from a poor, dysfunctional family, while Angel comes from an upper middle-class family that is intact; mother, father and brother who is an attorney. The major dilemma they face, besides trying to catch a serial killer, is the issue of racism. The city, the department, and the community at large sizzle with racial tension, and that hampers their ability to work smoothly with each other.

If I were a homicide detective I would want my oldest son to be my partner. First because he has an interest in law enforcement, but also because he’s a big, strong Marine. He’d have my back.

What aspects of the racism do you cover in Open Season?

In Open Season, I really looked at racism from both sides of the racial divide, because it is a problem from both sides. It started decades ago when blacks were slaves and “white privilege” was firmly established, and now we see it in more subtle ways, but it is still there, affecting the way people interact. When Angel asks her very bigoted father to stop and consider that Sarah is not a “honkey bitch” he won’t even try. He lumps Sarah in with all the bigoted white folks he has ever met, without giving her a chance. The tendency to do that kind of lumping is strong in white families and black families, and it just perpetuates the problems.

How did you come up with the idea for Doubletake? What was it like collaborating with Margaret Sutton for this book?

Doubletake evolved from a process that started when Margaret contacted me to see if I would be interested in collaborating with her on a book. She had met a man who had been a doorman at the Ritz in New York for 30 years and had stories about the celebrities who had been in and out of the hotel over that time period. It was a fascinating concept, so I agreed to work with her. Something happened between her and that man that ended their arrangement. I never knew what, but I liked Margaret enough to agree to try writing a mystery together. She was also an avid fan of mystery novels, so we had that in common.

At the time, there was a series of rapes in a Dallas suburb, and the perp was called The Blanket Rapist. Margaret, being the more devious of the two of us, suggested that we take the rapist one step further and have him kill his victims. She also taught me how to write cuss words.

Working with Margaret was a blast. She has a wicked sense of humor and once put fake puke on my chair in her office. When I saw it, she made a big show of blaming her cat, then howled with laughter when I realized the puke was not real. During the writing I came to appreciate the way our unique strengths as a writer complemented each other, and I have found that true in all the collaborative writing relationships I’ve had.

You are an author, a screenwriter, a theatre director, and an actress. People who are this creatively engaged usually face a lot of objections and criticism from society. Have you experienced this? What advice do you have for people who face this type of criticism?

I honestly have never had that problem, but my advice to others would be to not take criticism personally. Critiques, or edits, of our work are only beneficial if we can put our sensitivities aside and see the value in the feedback.

You are very involved in the field of performing arts. Which is your favorite play and why? What is your favorite play that you have directed?

It is so hard to pick a favorite play out of all that I directed, but I did really enjoy mounting “The Secret Garden.” I had an incredibly talented group of actors who worked hard to bring to each rehearsal new nuances of their characters, so that made my job as director incredibly easy. I didn’t have to micro-manage them on stage. When the actors were actually crying for real in tender moments of the story, it was pure magic on stage.

Likewise, it’s impossible to say which of the plays I acted in was my favorite, but I did have a special moment in “Squabbles” that still makes me smile. I was giving my nemesis in the story a really hard time in one scene and a lady from the audience called out, “You go girl.” I had a hard time staying in character and in the harangue, but I managed. Later, the director told me he had never had that happen before in a show he directed, and he said it was because I made that moment so real for the audience.

That’s an actors job, to make each moment of a story real so the audience will be transfixed.

Tell us about your cats. What are they like and who is your favorite?

Okay, first, there can be no favorite. Just like with kids. I love them all, but there are times they need to go to their room. Sammy, even though he is mixed breed, channels his Siamese heritage a bit too much at times. He is the biggest cat and tries to wield his weight among the others, and the dog. The dog, a lab pit bull mix, is entirely intimidated by Sammy. The other cats are not. Sammy’s sister, Lily, is perhaps the most laid back of all four cats. She’s is a long-haired gray tabby and is so flexible I have seen her on a blanket with head in one direction and back end in another. Her favorite thing is to sit on my lap while I am working, sometimes sliding off when she relaxes too much.

Harry and Hermione are brother and sister. Two black cats who chose my late husband and me almost seven years ago. Harry was my husband’s cat, and he, the cat, loved to snuggle in my husband’s beard and would lie there on his shoulder for hours. Harry is very demanding, talking a lot and patting my leg just in case I didn’t hear him telling me it’s time for dinner. Hermine takes a page from her brother’s handbook, becoming very vocal and restless when I have let feeding time stretch ten minutes over from the norm. All of the cats will come into my office and wander around on my desk, the windowsills, back on the desk, across the keyboard, and back on the windowsill. They think they are being subtle about reminding me about food, but they aren’t fooling me.

What kinds of books do you like to read? If you could belong to any fictional universe, which would you choose and why?

My reading tastes are not confined to one genre, although I do lean slightly toward mysteries. I like a good woman’s novel, such as Kristy Harvey’s The Secret to Southern Charm, and I enjoy memoirs as well. There are times I will binge on Young Adult novels, too. So many of them are well written and adults can enjoy the stories as much as young readers.

Do you prefer a utopia or dystopia?

Actually, neither. I really like real life in the real world, which is why I’ve never been a fan of fantasy or science fiction.

Do you have a secret to success?

That would depend on what stick you are using to measuresuccess. Monetary success or satisfaction? I am very satisfied with what I have accomplished with my writing, from my earliest work as a columnist, to now as an author and editor. Am I rich or famous? No. But I have spent many years of my life writing articles and books that have mattered to at least a few people, and it has been something I took great joy in doing. And I still do. So, I guess that is my secret; doing something for so long that I enjoy. When the process of writing is no longer fun, then it will be time to quit.

What book ideas are you currently working on?

Currently, I’m working on the third book in the Seasons Series. Desperate Season has been in the works for several years, put on the back burner when the idea for Evelyn Evolving popped into my head and wouldn’t go away, and I need to get it finished.

Ask Maryann Miller a question

      • Maryann Miller Maryann Miller 2 months ago
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      • When my first major publishing deal came for the hardback version of One Small Victory, I really felt validated as an author. I'd had a number of nonfiction books published prior to that, as well as a couple of fiction titles that were published by a small press, but hardback publication was big time. The publisher was Five Star Cengage, and they sold primarily to libraries, but sales were strong. Which didn't mean that the doubts and insecurities went away entirely. Recently on Twitter an author posted something about that little devil on her shoulder that keeps telling her she's no good as a writer. I think most writers deal with that same kind of devil. I know I have on and off in my career.

        Back to the question. That first major release gave me the confidence to chase that devil away for a long time. I looked at myself as a professional, and a professional goes to work every day for a certain number of hours. No longer did I procrastinate as much as I had in the past. I set a schedule for writing and dirty dishes be damned. It helped that all of my kids were in school all day, and I had a very patient and supportive husband.
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      • Maryann Miller Maryann Miller 2 months ago
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      • Good writing for me includes characters who are so well-drawn they become real, as well as a believable plot and attention to craft. When starting a book to read, I have to identify in some way with the protagonist. He or she has to be engaging, yet real. As the story moves along, the plot twists have to be organic to the story - not just popping up out of nowhere - and the motivation of characters' actions has to be believable.

        Once story is fully established, a writer must then do a careful edit and rewrite to make sure that there are no stumbling blocks for a reader. If a reader stumbles, she is out of your story for the moment. Too many grammar, spelling, misplaced modifiers, etc, can be stumbling blocks that some readers can't get past. That is particularly true for me because I'm an editor as well as an author and a reader.
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    • AllAuthor AllAuthor 2 months ago
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    • How do you think concepts such as Kindle, and e-books have changed the present or future of reading?
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      • Maryann Miller Maryann Miller 2 months ago
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      • For most of my life books were books. Tangible things that you held in your hand and turned pages to read. That has all changed so dramatically with the advent of digital technology, both for e-books and print-on-demand, as well as the rise in audio book sales. Twenty years ago I never dreamed I would be reading books on an electronic reader or listening to audio books, rarely holding a paperback or hardback in my hands. I moved to a Kindle some years ago, primarily to accommodate getting books to review and ARCs were sent electronically. Then I realized the benefit of having a Kindle to carry numerous books with me on vacation. I still get some paperbacks or hardbacks when I go to an author event and buy a book from one of my favorite authors.

        My move to audio books started four years ago when a health issue made it difficult for me to read, but I couldn't give up my love of books. So I get audio books from my local library, so I have something on hand when I have to rest my eyes.

        Obviously, the younger generations are so tech-savvy that the eBooks and audio are second-nature to them. I think they will always be more willing to read the electronic versions of books than paper, and that's good. At least they will be reading.
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      • Maryann Miller Maryann Miller 2 months ago
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      • When I was writing my humor column for a suburban newspaper - the columns which then became A Dead Tomato Plant & A Paycheck - people recognized me all the time. I was used to running out to the grocery store in whatever I had on, which usually consisted of tattered jeans and a tee-shirt that might have had baby spit up on it. The first time someone recognized me from the picture that ran with my column, I was horribly embarrassed. I quickly learned to change my clothes before going out.

        More recently, I am not always recognized, but I do speak at workshops and seminars, and it is gratifying to know that people are appreciating what I have to share about the business and/or craft of writing. It is also incredibly gratifying when someone comes up to me afterward to say how much they enjoyed one of my books. We write for readers, after all, and I don't think there's a writer alive who doesn't appreciate this kind of feedback.
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