E.G. Radcliff Interview Published on: 18, Dec 2019

I was born in Lincoln Park, Chicago, and grew up in a suburb. As a kid, I was pretty shy with other kids, but I loved talking to adults because I could use my vocabulary--I read the dictionary, I was/am that kid--and they thought it was adorable. In addition to that, I grew up surrounded by a lot of stories from my parents, extended family, and my favorite novels, and since I was naturally quiet, I observed a lot. That really fueled my development as an author.

I’m not actually sure when I decided that I wanted to be an author. I’ve loved storytelling for as long as I can remember; I told tales before I could hold a pen, and when I learned to read and write, it was like learning how to walk. I tripped a lot, but it felt natural. One thing led to another, and I realized that if writing ever became more than a hobby, I could truly have a dream job.

Fiction and fantasy are, by definition, not real… but that doesn’t mean the characters shouldn’t feel real. I do my best to bring a kind of honesty to each person I write, trying to avoid common tropes that can condescend to readers. I also find that writing what I know means writing real-world themes, and in fantasy, such themes often make the narrative more relatable.

I personally love teen and YA books--it’s a genre in which authors can tell some really powerful, emotion-driven stories, and even address important themes in a medium that’s generally neither overly heavy nor overly highbrow. One of the major challenges for YA writers is that since YA is not geared toward an adult audience, it’s very hard to get it taken seriously in many ways. Yes, instalove tropes abound in this genre, but the fact is, YA is literature, and it deserves recognition for the depths it explores in a way that’s intended for enjoyment.

Publishing has become rather notorious for being one of the hardest industries to break into. It’s true that without previous publishing experience, it’s difficult to get published, even in most literary magazines, and it’s my belief that self-publishing is just as legitimate an option as traditional publishing through a publishing house. Usually what makes people wary of an independently-published work is the view that it wasn’t ‘good enough’ to be chosen by a publishing house, but this view is simply inaccurate: The Martian, for instance, was independently published, and it became a bestseller and a movie featuring Matt Damon. The ‘goodness’ of a book has nothing to do with how it was published, because a truly dedicated self-publishing author will ensure their work is well-edited, formatted, and beta-read to achieve the same level of polish and quality as a book which has been accepted by a publishing house. It’s a lot of work, but it is a valid option.

Áed’s basic character traits--that is, his appearance, relation to other characters, and a few other aspects--came to me all at once in a dream. His personality, though, evolved throughout the process. I really had to let him show me how to write him. I’d create a scene between, say, Áed and Ninian, and their interaction would create a certain dynamic; there were times when I’d think ‘no, that isn’t right, he wouldn’t say that,’ and I’d realize that Áed’s character was coming out of my subconscious and guiding my hand. I really like his connection to other characters in ‘The Hidden King,’ and I think that’s my favorite aspect of Áed: no matter how strong he is, he really, really needs other people in order to be whole. Most of his motivation stems from his desire to protect or avenge someone else, and that makes him a pretty dangerous person to cross. But he’s not a totally selfless hero either, and that gives him a dash of… dare I say humanity?

Eesh. Sometimes I feel like I have writer’s block more often than not. Honestly, the main cause of my block is disliking my work, so I try to avoid rereading until I have a lot down. In some situations, I find mustering the courage to delete things I’ve written can be very helpful, like freeing up mental shelf space. When I’m actually trying to get words on the page, I like to get a workout in, stay up really late, and wait for my brain to loosen up.

I had a huge number of stories in my head before I started writing The Hidden King, and one night, they all mixed together in a particularly wild dream. I woke up with the setting and the characters firmly in my head. I couldn’t not write--it was like the opposite of writer’s block, it was writer’s rush--and once I started, I couldn’t go back.

The only way to manage this is to read a lot of other novels. I actively study tropes, and if, when I’m writing, the next plot point seems too obvious, I’ll try to think of other ways the action could flow that could potentially move the story with more power.

The creative process is slippery. Usually, I like to spend a while with the idea in my head; if I get bored of it after a week or so, I know it won’t stand up to the novel-writing process. If, after that time, I’m still excited about it, then I try to identify the overall tone of the piece, and from there, I start playing with a thematically- appropriate first scene. In that first scene, I often switch up the voice of the writing, trying to find one that suits the story best, and then I edit for uniformity later. Once I’m committed, it’s a matter of setting out time to write, and putting myself in environments where I can be inspired; I personally like the library.

My mother. She not only read the first draft of ‘The Hidden King’ and encouraged me to go further, but was a huge asset when it came to admin and navigating the technical elements--she was in technology sales before she retired, and I think it shows. Her encouragement has been invaluable. I’m inclined to think that everything I produce is trash until someone I trust tells me otherwise. My mother was always the person who was honest with me.

I play water polo as a goalie, and I sing as well. If I weren’t a writer, I think I’d still be pursuing those hobbies on the side, but I’d be doing more to indulge my love of history. I’ve always wanted to travel, so I’d probably be working in a research position that allowed me to move frequently.

I’ve always loved fiction for the liberty it grants me, and aside from fantasy, I’ve thought often about exploring historical fiction. That would allow me to feed my historical research fascination while still offering the freedom to create as I please.

The most important advice I can give is to keep at it. It’s really easy to get discouraged by the publishing scene, but persistence is everything. While you’re persisting, learn. Read excellent fiction, and take notes. Experiment with different styles. Go over your old writing, decide what you’d change, and then see if those changes carry through to your later works. Give your writing to your friends, and people you know will be honest with you. Most importantly, enjoy your writing. It’s an art, and if it doesn’t give you pleasure, there’s no reason to do it.